Telugu Movie Reviews

Movie Name : They Call Him OG

Release Date : Sep 25, 2025
123telugu.com Rating : 3.25/5
Starring : Pawan Kalyan, Emraan Hashmi, Priyanka Mohan, Arjun Das, Sriya Reddy, Prakash Raj and Others
Director : Sujeeth
Producers : D. V. V. Danayya, Kalyan Dasari
Music Director : Thaman S
Cinematographer : Ravi K. Chandran, Manoj Paramahamsa
Editor : Naveen Nooli
Related Links : Trailer

After nearly three years of anticipation, the wait is finally over as Pawan Kalyan’s high-octane action-gangster drama They Call Him OG, simply known as OG, storms into cinemas worldwide with grand premieres tonight. Directed by Sujeeth in his third outing, the film has generated immense buzz, not only for featuring Pawan Kalyan as the fierce Ojas Gambheera but also for marking Bollywood star Emraan Hashmi’s Telugu debut as the ruthless don Omi Bhau. Set in the blood-soaked streets of Mumbai, the story builds to a much-awaited face-off between OG and Omi Bhau, a clash of power and vengeance that has fans everywhere on edge. Check out our review to see if this larger-than-life showdown lives up to the hype.

Story:

Set in the 90s, Satya Dada (Prakash Raj) owns a port in Mumbai. Powerful person Mirajkar (Tej Sapru) wants to take it over and rule Mumbai. His younger son Jimmy (Sudhev Nair) creates havoc over a missing container in the port, which contains deadly explosives. He kills numerous people, including the younger son of Satya Dada. The bigger twist is that Omi Bhau (Emraan Hashmi) sends the container and wants it at any cost. Situations spiral out of control, and everyone wants OG, Ojas Gambheera (Pawan Kalyan), to return to Mumbai, where he has been in exile for years. Who is Ojas Gambheera? What is his relationship with Dada? Why is he in exile? What is his backstory? What is Omi’s plan and who is he? What happens next is the story you see on the big screen.

Plus Points:

Firstly, a big thanks to the director for showcasing Pawan Kalyan in a classy yet massy gangster avatar. He designs his character very well in terms of looks, giving fans a solid reason to love him to the core.

Pawan Kalyan is superb in the action sequences. The introduction fight, interval block, police station scene, and some action blocks in the second half are purely fan stuff. All are designed well to please fans, and Sujeeth and his team succeed in delivering them.

Emraan Hashmi, in his Telugu cinema debut, brings style and swag to his role and performs adequately, though his scope is limited. Sudhev Nair performs well and leaves a mark despite being restricted to the first half. Sriya Reddy is neat in the space she is given.

OG offers plenty of fan moments. The title card itself is outstanding. The action blocks impress, and when Kalyan holds the katana and swings it, it is hard to sit silently. Several clues and Easter eggs drop, creating enthusiasm among fans of Saaho as well (yes, what you are thinking is true).

Thaman is in rampage mode and adds immense value to many scenes. DOP Ravi K. Chandran is another pillar of the film, with fantastic visuals that bring vibrancy to every frame.

Minus Points:

While it is satisfying to see Pawan Kalyan as fans desire, nothing stands above the story. A strong narrative is more important than style and scale, and OG misses that. The storyline is not only weak but also predictable. Sujeeth could elevate it through tighter execution but falls short.

The second half carries more dull moments than the first, with only the climax standing out to keep enthusiasm alive. Though Sujeeth shows his touch in the screenplay, a stronger story would carry the film overall.

Several characters, including Prakash Raj, Sriya Reddy, Arjun Das, and Priyanka Mohan, lack proper arcs to make them memorable. The emotional scenes between Kalyan and Priyanka are watchable, but restricting them to a few moments disappoints.

The confrontations between Pawan Kalyan and Emraan Hashmi could have been designed with more intensity. The climax works but is not particularly exciting.

Technical Aspects:

Director Sujeeth’s vision of presenting his favourite actor, Pawan Kalyan, exactly as fans want is successfully achieved. However, more focus on a compelling story could enhance the overall impact. Dialogues are decent and work well in elevation-driven moments.

Cinematography by Ravi K. Chandran and Manoj Paramahamsa is on another level, adding richness to the storytelling. Thaman’s outstanding score elevates many sequences to another league, giving fans more reason to enjoy. Editing by Naveen Nooli is sharp in places but could be tighter in the second half. Production values are superb, with no expense spared to recreate the Bombay setting.

Verdict:

On the whole, They Call Him OG is Sujeeth’s love letter to Pawan Kalyan and a showcase of his fanism towards the actor. Though the story is ordinary, Pawan Kalyan carries it with his style, swag, and action. The action blocks surely enthral fans. On the downside, the underdeveloped characters, predictable storyline, and family-unfriendly tone act as hurdles. OG is a feast for fans. One can enjoy it for its many high points and for watching Pawan Kalyan in a vintage look with powerful action sequences. Watch this actioner, and you are entertained.

123telugu.com Rating: 3.25/5

Reviewed by 123telugu Team

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Movie Name : Beauty

Release Date : Sep 19, 2025
123telugu.com Rating : 2.25/5
Starring : Ankith Koyya, Nilakhi Patra, Vijaya Naresh Krishna, Vasuki Anand, Prasad Behara and others
Director : J S S Vardhan
Producer : Adidhala Vijaypal Reddy
Music Director : Vijay Bulganin
Cinematographer : Shrie Saikumaar Daara
Editor : Sb Uddhav
Related Links : Trailer

Ankith Koyya and Nilakhi Patra, in her Telugu debut, appear as a love pair in Beauty. Vardhan is the director of this movie, and director Maruthi presented it. It was released in theaters today and here is our review of the film.

Story:

Alekhya (Nilakhi Patra) is a college student. Her father Narayana (Naresh), a cab driver, pampers her a lot. She wishes for a scooter, and he hardly made it happen. On the other hand, the young girl falls in love with a stranger Arjun (Ankith Koyya), who met her unexpectedly. Things deepen and one day her mother (Vasuki) finds out her love matter. Afraid of that, Alekhya elopes with him to Hyderabad. Her father is on search for her and goes to Hyderabad. There comes a shocking twist in the tale. What happened to the couple? Are they safe? Did Narayana find them? Does it end up on a happy note? Watch the main movie to find out.

Plus Points:

Ankith Koyya delivers an okay performance, showing dual shades of his character reasonably well. Nilakhi Patra appears in a hyperactive role, and while a few of their combination scenes work, most fail to engage.

Veteran actor Naresh stands out as the caring father, and his emotions feel genuine. Fathers with daughters may connect to his portrayal. Vasuki fits adequately as a middle-class mother, though her role is limited.

The twist in the second half is somewhat interesting, offering a change in perspective, though it arrives too late to fully redeem the narrative.

Minus Points:

The story, despite having a relevant theme for the current generation and their parents, suffers from poor execution. The first half drags with unnecessary scenes, awkward interactions, and dialogues that often feel cringe-worthy. The lead pair’s over-the-top performances could have been toned down without losing the essence of their romance.

Even in the second half, until the twist unfolds, the characters behave as if they are on a vacation, and many situations feel unrealistic. By the time the twist arrives, the audience is largely disconnected.

Scenes like childish love tracks and repeated sequences add to the fatigue. Prasad Behra’s character contributes nothing meaningful, and some of the heroine’s irritating actions unintentionally provoke laughter rather than emotion.

Naresh’s performance is the only consistent factor that keeps the audience partially engaged. More focus on his bond with his daughter could have improved the film’s emotional impact.

Technical Aspects:

Director Vardhan attempts to tell a relatable story but falters in execution. The screenplay fails to hold attention, especially in the first half and in scenes between the lead pair. Cinematography by Shrie Sai Kumaar Daara is functional but unremarkable. Editing, particularly in the early portions and initial moments of the second half, slows down the narrative further. Vijay Bulganin’s music is average. A few songs are passable, but the background score does little to enhance the story. Production values are adequate but offer nothing noteworthy.

Verdict:

On the whole, Beauty is a love story that barely holds attention and fails to leave any impact. The minor positives, including Naresh’s natural performance and a twist that arrives too late, are not enough to save the film. The leads deliver uneven performances that fail to bring their characters to life, and their over-the-top acting in several scenes only makes the film harder to connect with. Repetitive sequences and flawed execution make it a tedious watch. It’s better to skip this one and explore other films for a more entertaining weekend.

123telugu.com Rating: 2.25/5